Guiditta Brozzetti

Written by Deb Brandon

There it was: Laboratorio Guiditta Brozzetti, the Guiditta Brozzetti workshop, a hand-weaving museum and school hidden inside the imposing church of San Francesco delle Dome in Perugia, Italy. I’d made an appointment to visit the studio months earlier, when I decided to travel to Perugia for a friend’s wedding. If I was going to travel that far, I definitely wanted to scope out textile-related landmarks in the area.

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Feathers and Finery

written by Deb Brandon

The first is Portrait of Princess Nāhiʻenaʻena holding the feathered royal kahili, by Robert Dampier

We treasure gold and diamonds, silver, rubies, and emeralds. But what if precious metals and gemstones didn’t exist? Would we have looked to other natural resources to treasure? Or to something completely different, such as handmade items or special artistic skills?

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For the Love of Textile Arts

written by Deb Brandon 

I learned to knit from my mother when I was seven. Knitting was followed by needlepoint, crocheting, felting, and spinning, all fun and interesting. Learning to weave when I was 35 felt as if I’d come home, as if I’d been a weaver in a previous life. At the loom, I felt connected to weavers everywhere, through space and time. With weaving, my love for textile arts soared. I wanted to see (and feel) it all: scrumptious raw cashmere, hand-spun silk, gorgeous hand-wovens, an amazing range of ethnic textiles—silk scarves from Laos, felted slippers from Turkey.

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Memories of Barbara Luderowski

Written by Jean Thomas Memorial tributes to Barbara Luderowski continue to come from many sources–locally, nationally and internationally. “Barbara was an artist—unique, highly perceptive and intelligent, feisty,—and always on the advance. May her creative, pioneering spirit continue to guide the Mattress Factory.” Allegheny County Executive Rich Fitzgerald. In a 2002 interview with a Post-Gazette writer, …

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My work is…….

As fiber artists  complete their entry forms for Fiberart International 2019 there is always that blank to fill out for an “Artist Statement.” For some it’s an easy assignment.  For others it poses a real challenge.  So here is a sample of opening phrases gleaned from catalogs for previous Internationals.
My work is a response to——–
Joanna Donchatz – FI13 artist
My work is a response to my family history and homeplace of Appalachia. The weavings are composed like collages from photographs, text, documents, drawings, and maps. My grandfather’s coal mining experience led me to reflect on its impact. The fractal-like image of the lung is a symbol of his illness and references veins, fingerprints, streams, trees, roots, mountain ranges, cracks, faults, and fractures. They map the destruction both of the landscape and of my grandfather’s health. The traditional quilt motif is an important reoccurring element as a metaphor for the landscape of Appalachia, comfort, and family.

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Down Fiberart International Memory Lane

One of our long-time members was doing some deep housecleaning recently and came upon a Fiberart International treasure trove from the past—a 20th century prospectus, invitation, catalog, and review. I was delighted to get my hands on these juicy historical treats. They conjure lost memories and significant milestones in Fiberart International’s history.

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Behind the Scenes at Fiberart International

FromTheNumberOneTrain-Plotner-Quilt national

Did you know that Fiberart International has been happening for over 50 years? It began as Stitchery International and evolved to include all fiber-related mediums. Twenty-three exhibitions later, FI has been pivotal in exhibiting innovative work from around the world. Do you wonder just what it takes to produce an exhibition of this stature?
You know the old adage, “Many hands make light work.” In the case of Fiberart International, it’s many hands, feet, arms, legs, eyes, ears, brains!

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MONMADE

monmade bowtie examples

Wednesday March 14, 2018 Double Show and Shares: 3-5 pm and 5-7pm at Eastminster Church. At 7 pm we will meet Nisha Blackwell and Tanya Wilson, two fiber-artist entrepreneurs from MONMADE. Come join us at both events! Easy to park!

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Inspired!

2018 is going by quickly and I hope you are starting to come up with ideas for the next Guild Membership Exhibition. The title is “Inspired!” and you can enter up to 3 pieces. It can be a story, a person, a photograph, a fiber technique, a color or anything that inspires you. Remember the …

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