Are you brave enough to self-curate?

Hey kids, let’s put on a show!  Camilla blog -4

Following Staci Offutt’s thoughtful review of Time and Materiality, we got to thinking about the process of self-curating an exhibition, especially when collaborating with fellow artists who happen to be friends. Would that be fun and exhilarating, an opportunity to see your work and theirs in a sharper light… or maybe not so much? As deadline stress set in, could fighting and biting break out? (OK so probably not in our guild, but one does hear stories.) Before our imaginations reached soap opera pitch, we asked Camilla Pearce to take us behind the scenes and unscrew the whole process. Here’s how Camilla tells it…

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Time and Materiality, a feast of textures and techniques

Laura Tabakman Trametes Polymer clay and paper bags Michelle Browne The Three Sisters/Dray Shvester Rusted, printed, stitched cotton blends, vintage lace, pillows

By Staci Offutt

Time and Materiality is a symbiotic collection of works by Michelle Browne, Camilla Brent Pearce, and Laura Tabakman. With 33 pieces, including a large-scale installation, these three artists have transformed the Spinning Plate Gallery in the East liberty neighborhood of Pittsburgh into a feast of textures and techniques, fabric and ephemera.  

Photo right: Tabakman, Trametes, Polymer clay and paper bags; Browne, The Three Sisters/Dray Shvester Rusted, printed, stitched cotton blends, vintage lace, pillows

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