Blog – Page 4 – FiberArts Guild of Pittsburgh

Clean out your studio–it’s potluck time!

November 7, 2023January 27, 2016

The holidays are over, it’s cold, snowy, and gray — so you know it’s gotta be time for our potluck fundraiser at the Pittsburgh Center for the Arts! This annual event is one of our most cherished traditions. Just when the doldrums of winter start to settle in, we gather together. We clean out our studios, …

Help make FI16 the best Fiberart International ever!

January 19, 2016

Unless you’ve been living under a rock, you’ve heard about Fiberart International (FI), the amazing show our guild produces every three years. The exhibition is so big, it takes up two simultaneous venues: the Pittsburgh Center for the Arts and Society for Contemporary Craft. But what you may not know is that we are famous (yes we are!) for hosting a great opening week-end where FI artists from all over the world gather to meet and talk about our beloved medium – fiber art. And the best part is our members are deep in the thick of it all. We all have the awesome opportunity to shmooze, help out, and participate as much as we want. On Sunday January 10th volunteer guild members old and new gathered together to learn all about FI2016.

Happy 2016! Time to PoP, Open FI16 and Meet the Steel City Fiber Collective!

June 25, 2024January 5, 2016

Happy New Year! There is so much to look forward to in 2016. FGP’s public art installation PoP des Fleurs ,designed by Rae Gold, opens at the Carnegie Library main branch in February and continues to PoP throughout the library system leading up to our critically acclaimed Fiberart International 2016 opening at the Pittsburgh Center for the Arts and the Society for Contemporary Craft in May.

But we are not the only group with big plans for the new year. Recently FGP President Susan Swarthout and I met with the newly formed Steel City Fiber Collective. Anna Sylvester, Becca Kreiger, Cheryl Koester and Nora Swisher met through a local Stitch n’ Bitch group and together they saw a need for a warm and inviting place where fiber artists and crafters could meet and share. Members would join for a fee and have access to space, tools and equipment that is often too expensive or cumbersome to buy as an individual; think Tech shop but devoted to all things fiber and is affordable.

Akiko Kotani and Risë Nagin: Group A “Works”

December 28, 2015

Black on White #1 2004 Akiko Kotani — *Black on White #1* 2004 Akiko Kotani

One of my New Year’s resolutions is to get out of the studio during the dark and dreary days of winter to see more art. There is so much going on in the region, beginning in our own back yard: the Pittsburgh Center for the Arts. Now through January 17th you can see works by two of our most accomplished members, Akiko Kotani and Risë Nagin, who were selected to participate in “Works,” juried by Todd Keyser. Group A is a small invitation-only guild which “…provides exhibition opportunities for its members and fosters an active dialogue about visual art concepts and practices.”

Akiko Kotani’s series Black on White is breathtaking in its simplicity. She uses black silk thread on hand woven white silk canvas to create a bold line that references organic forms yet has a contemporary graphic appeal. In the first work of this series she creates the feeling of movement by working predominantly with one shape as it appears to replicate itself across the canvas.

KtB and Allegheny County Council

November 3, 2023December 8, 2015

Knit the Bridge was in the Post Gazette once again — but we’re not so happy this time. Diana Nelson Jones reported on the vote before Allegheny County Council to remove the never enacted 2% set-aside for public art. In the article, Amie Downs, official spokesperson for County Executive Rich Fitzgerald, cited KtB as an example of why the set-aside was unnecessary with an ambiguous description of the type of support the county provided to the project. “We have focused our time and efforts on cataloging and maintaining existing public art, while encouraging and supporting public art in the community. The Knit the Bridge installation is just one such example.”

FGP President Susan Swarthout contacted the KtB team concerned that using it as an example sent the wrong message to the arts community and the entire region. The KtB team agreed and on Tuesday November 17, Knit the Bridge lead artist and co-director, Amanda Gross, co-director Penny Mateer and current and former Presidents of the Fiberarts Guild of Pittsburgh Susan Swarthout and Sherri Roberts all provided comment at the County Council’s bimonthly November meeting. FGP recommended that County Council vote no to the elimination of the 2% set aside and yes to the creation of the arts board.

Sherri Roberts shares her blogpost on Creativity and Productivity

March 8, 2023November 30, 2015

After a crazy few weeks I needed a jump start back into the blog scene. Flipping through images on Facebook I caught a glimpse of Dorothy in the Wizard of Oz and her words echoed “there’s no place like home.” So I turned to our guild for some help. Did you know that some of our members are not just amazing artists and makers but writers as well? Well Sherri Roberts is one of them and with just one click I was immersed in her blog Galil Threadworks and got just what I needed. We asked Sherri if we could share this gem of a post and she graciously agreed, just in case you need to get your groove on.

Do Something! by Sherri Roberts

After recently tweaking the “elevator-speech” description of my artwork, I was able to identify the latest bug in my brain; how to keep creativity and its fraternal twin, productivity, flowing.

Oh Those Last Minute Entries — it must be Fiberart International Time

March 8, 2023August 18, 2015

Blogpost 2_edited-1 — Penny Mateer’s FI-friendly design wall. Smaller than 8’6″, no problem.

The deadline for FI2016 is fast approaching. Are you like me, do you wait until the last minute to enter? I know the deadline months in advance so I must be ready to upload today, right? Not exactly. What is this last minute business all about?

To choose the work, gotta look at the restrictions — and thankfully there aren’t many. The size limit is 8’6″. I have that problem licked from the git-go, my design wall is only 7′ tall and 6′ wide when fully extended. “Can’t weigh more than 100 pounds and has to be easily handled by 2 people.” Last I checked I couldn’t find an assistant to help make that cumbersome piece, the help I keep longing for. You know that humble acolyte, the one you always see bustling around the huge, light-filled studios of major artists, effortlessly juggling huge elements, or better yet just listening intently as “the artist” brilliantly discusses the work, that person? Not happening here. Definitely less than 100 pounds for this gal.

Elisabeth Higgins O’Connor at SCC

August 14, 2015

Meet the artist and share her vision

At a recent guild-sponsored lecture at Contemporary Craft, featured Bridge 13 artist Elisabeth Higgins O’Connor talked about the evolution of her style and body of work. Guild secretary Wanda Spangler-Warren took her usual meticulous notes and lent them to us for this post. Thanks, Wanda!

The huge, grotesquely charming, animal-ish forms lumbering around SCC’s gallery owe their existence to a series of happy accidents involving drywall screws, the Iraq war, and a truckload of discarded cushions. Which is just another way of saying O’Connor never met a random input she couldn’t use.

Detail: Wanna do right...but not right now — Detail: Wanna do right…but not right now

As a resident artist in Kohler’s Arts/industry Program, O’Connor learned the slip casting method of making vitreous china, a technique she would later intentionally corrupt by using found objects, creating animal hybrids with ceramic heads and fabric bodies. Perhaps more importantly, Kohler made available to her a huge inventory of hardware – screws, wires, and grommets – which she used to assemble her figures in obvious and deliberate ways.

Hosting the Artist Panel at Quilt National ’15

April 23, 2023July 10, 2015

Getting accepted into Quilt National 2015 is an accomplishment many of us would envy. But FGP member Patty Kennedy-Zafred didn’t stop there. At the request of SAQA, the Studio Art Quilt Association, she jumped into the proceedings and hosted a panel of participating artists. We asked her to tell all and she graciously obliged…

By Patty Kennedy-Zafred
http://www.whitby.co.uk/prednisone-5mg/
Lightening struck again, and the jury gods nodded in my favor. Dusting off the disappointment of two recent rejections, I was exhilarated by a fun filled weekend of art and activity at The Dairy Barn in Athens, Ohio.

The Opening Reception was packed; a record number of 64 exhibiting artists from all over the world, along with many guests. But for me, the most exciting event came the next day when I hosted a panel of four exhibiting artists. SAQA had requested that the Artist Panel not repeat recent SAQA speakers, but other than that, I had free rein. Talk about a tough choice!

Tina Williams Brewer

March 8, 2023May 19, 2015

Inaugural Exhibition at the State Museum in Harrisburg

One of the great things about being a member of FGP is the opportunity to meet, know and learn from accomplished fiber artists. Tina Williams Brewer, Master Visual Artist, is one of the most distinguished in our region. I had a chance to chat with Tina recently about her inclusion in the special Inaugural Exhibition at the State Museum, Harrisburg, Pa January 20, – February 15, 2015.