Oh Those Last Minute Entries — it must be Fiberart International Time

Blogpost 2_edited-1

Penny Mateer’s FI-friendly design wall. Smaller than 8’6″, no problem.

The deadline for FI2016 is fast approaching.  Are you like me, do you wait until the last minute to enter? I know the deadline months in advance so I must be ready to upload today, right? Not exactly. What is this last minute business all about?

To choose the work, gotta look at the restrictions — and thankfully there aren’t many. The size limit is 8’6″.  I have that problem licked from the git-go, my design wall is only 7′ tall and 6′ wide when fully extended. “Can’t weigh more than 100 pounds and has to be easily handled by 2 people.” Last I checked I couldn’t find an assistant to help make that cumbersome piece, the help I keep longing for. You know that humble acolyte, the one you always see bustling around the huge, light-filled studios of major artists, effortlessly juggling huge elements, or better yet just listening intently as “the artist” brilliantly discusses the work, that person?  Not happening here. Definitely less than 100 pounds for this gal.More Information

Elisabeth Higgins O’Connor at SCC

Meet the artist and share her vision

At a recent guild-sponsored lecture at Contemporary Craft, featured Bridge 13 artist Elisabeth Higgins O’Connor talked about the evolution of her style and body of work. Guild secretary Wanda Spangler-Warren took her usual meticulous notes and lent them to us for this post. Thanks, Wanda!

The huge, grotesquely charming, animal-ish forms lumbering around SCC’s gallery owe their existence to a series of happy accidents involving drywall screws, the Iraq war, and a truckload of discarded cushions. Which is just another way of saying O’Connor never met a random input she couldn’t use.

Detail: Wanna do right...but not right now

Detail: Wanna do right…but not right now

As a resident artist in Kohler’s Arts/industry Program, O’Connor learned the slip casting method of making vitreous china, a technique she would later intentionally corrupt by using found objects, creating animal hybrids with ceramic heads and fabric bodies. Perhaps more importantly, Kohler made available to her a huge inventory of hardware – screws, wires, and grommets – which she used to assemble her figures in obvious and deliberate ways.More Information

Hosting the Artist Panel at Quilt National ’15

Getting accepted into Quilt National 2015 is an accomplishment many of us would envy. But FGP member Patty Kennedy-Zafred didn’t stop there. At the request of SAQA, the Studio Art Quilt Association, she jumped into the proceedings and hosted a panel of participating artists. We asked her to tell all and she graciously obliged…

By Patty Kennedy-Zafred

Lightening struck again, and the jury gods nodded in my favor. Dusting off the disappointment of two recent rejections, I was exhilarated by a fun filled weekend of art and activity at The Dairy Barn in Athens, Ohio.

The Opening Reception was packed; a record number of 64 exhibiting artists from all over the world, along with many guests. But for me, the most exciting event came the next day when I hosted a panel of four exhibiting artists. SAQA had requested that the Artist Panel not repeat recent SAQA speakers, but other than that, I had free rein. Talk about a tough choice!

More Information

Tina Williams Brewer

Inaugural Exhibition at the State Museum in Harrisburg

Tina Williams-Brewer, Governor Wolf, Laura Domencic

One of the great things about being a member of FGP is the opportunity to meet, know and learn from accomplished fiber artists.  Tina Williams Brewer, Master Visual Artist, is one of the most distinguished in our region.  I had a chance to chat with Tina recently about her inclusion in the special Inaugural Exhibition at the State Museum, Harrisburg, Pa  January 20, – February 15, 2015.

More Information

PRINT FUN WORKSHOP

Over the past couple of years our programs committee has run this popular printing workshop several times, and it nearly always sells out. More and more fiber artists, may of whom already dye their own fabrics, are intrigued by the opportunity to control and create another element that goes into their work. In fact, guild member and award-winning quilter Patty Kennedy-Zafred has noted that quilters she meets around the country are so envious of the printing resource we have in AIR, right here in Pittsburgh. We asked Petra Fallaux, another amazing quilter, to take us along as she experiences the workshop for the first time…

By Petra Fallaux

AIR -3 at 9.12.20 AMRecently a handful of FGP members got together for a guild-sponsored “silkscreen on fabric and cloth” workshop at Artist Image Resources (AIR) on Pittsburgh’s North Side.

Workshop leader Jennifer Rockage introduced us to the various steps in preparing a photo emulsion silkscreen from a drawing or photo. All of our screens were prepared in advance, so we were quickly off to making our own prints, one after another. Through multiple iterations, we figured out how much ink and pressure would make a perfect image from our screens.More Information

Hanging out at Touchstone Center for Crafts

JanSpring has finally sprung which means time to hit the road! Destination?  Touchstone Center for Crafts to drop off my quilt and lend a hand. Okay maybe it wasn’t so spring-like… actually it was more of a late-fall feel but it was my first visit to Touchstone, what a beautiful facility!More Information

Are you brave enough to self-curate?

Hey kids, let’s put on a show!  Camilla blog -4

Following Staci Offutt’s thoughtful review of Time and Materiality, we got to thinking about the process of self-curating an exhibition, especially when collaborating with fellow artists who happen to be friends. Would that be fun and exhilarating, an opportunity to see your work and theirs in a sharper light… or maybe not so much? As deadline stress set in, could fighting and biting break out? (OK so probably not in our guild, but one does hear stories.) Before our imaginations reached soap opera pitch, we asked Camilla Pearce to take us behind the scenes and unscrew the whole process. Here’s how Camilla tells it…

More Information

Time and Materiality, a feast of textures and techniques

Laura Tabakman Trametes Polymer clay and paper bags Michelle Browne The Three Sisters/Dray Shvester Rusted, printed, stitched cotton blends, vintage lace, pillows

By Staci Offutt

Time and Materiality is a symbiotic collection of works by Michelle Browne, Camilla Brent Pearce, and Laura Tabakman. With 33 pieces, including a large-scale installation, these three artists have transformed the Spinning Plate Gallery in the East liberty neighborhood of Pittsburgh into a feast of textures and techniques, fabric and ephemera.  

Photo right: Tabakman, Trametes, Polymer clay and paper bags; Browne, The Three Sisters/Dray Shvester Rusted, printed, stitched cotton blends, vintage lace, pillows

More Information

Saturday potluck is super!

How many FGP potlucks have you attended?

Staci Offutt with Eloise and Kitty Spangler

Staci Offutt with Eloise and Kitty Spangler

Norma could answer that question Norma greets everyone at the door and gives out name tags.  Norma is our membership chair and she keeps track of attendance at every event.  Thank you Norma!

The beloved tradition continues every January it’s time to Clean out your studio and bring what you don’t want with a delicious dish to PCA.  BUT this year for the first time we held it on a Saturday.  Times they are a changing it’s harder and harder to schedule a day off, find a sitter or manage your own hours to be able to squeeze in a lunch with fellow fiber enthusiasts on a week-day.   But on the week-end?  ___ gathered together and brought all types o’ stuff gleaned from the studio.

 

 

 

 

DSC_1943

 

 

 

Construct Opening Night

Why fiber now? 

It’s the question contemporary fiberartists wrestle with, however subconsciously, every time they set to work. Why express my ideas with these methods and materials – often rooted in ancient, labor-intensive crafts – when there are so many easier, speedier alternatives? What am I building… and what am I building on?

Mary's

Left A Thousand Bats by Mary Towner

CONSTRUCT, the most recent FGP members’ show, seeks to explore these issues and show off some pretty spectacular artwork in the process. Juror Sandra Jane Heard, winner of the Fiberart International 2013 Directors’ Award, set herself the goal of selecting a “provocative and intriguing breadth of work.” Not satisfied with creating a “cohesive and stimulating experience,” Heard wanted the show to bowl the viewer over with a sense of the “diversity and creativity” pulsing through fiberart today. No problem. Our artists are so up to the task!More Information